000			04346cam a22003137a 4500
001			16001289
003			PILC
005			20150806071429.0
008			091130s2011 maua 001 0 eng d
010			_a 2009942393
020			_a1435454944 (pbk.)
020			_a9781435454941 (pbk.)
035			_a(OCoLC)ocn429606373
040			_aYDXCP _cYDXCP _dCXP _dCRH _dCOA _dDLC
042			_alccopycat
050	0	0	_aQC 228.3 _b.E93 2011
082	0	4	_a621.3828
100	1		_aEvans, Bill.
245	1	0	_aLive sound fundamentals / _cBill Evans.
260			_aBoston, MA, USA : _bCourse Technology, _c2011.
300			_axii, 179 pages : _billustrations ; _c28 cm.
500			_aIncludes index.
505	0		_aIntroduction -- pt. I. The gear -- 1. What is sound? -- Good vibrations -- How loud is loud? -- Another kind of doubling -- 2. Welcome to the signal chain -- End to end -- Power it up -- 3. It all starts with a mic -- What's the address? -- It's all about heart -- So what does it all mean? -- A place for everything and everything in its place -- The snare -- The hi-hat -- Tom-Toms -- Kick drum -- Cymbals -- Keep it simple -- Guitar and bass -- Horns -- Keyboards -- 4. Cables and connectors -- Shielded versus unshielded -- But wait, there's more -- Weird stuff and power -- 5. The wonderful world of wireless -- Getting unplugged -- A little history -- Compression/expansion -- Limited power -- And now the reality -- Dynamic or condenser? -- What's the format? -- Auditioning -- Time to taste the freedom -- R what? -- The magic is in the motion -- Meat absorbers -- 6. Snakes and splits -- A pirate looks at 40 channels -- Meanwhile, back in the desert -- Splitting Sound -- Ones and zeros -- 7. It's not the car, it's the driver -- Hostility -- Incompetence -- Education -- 8. The channel strip -- 9. Console auxiliary sends...or, what do the knobs in the middle do? -- Made to order -- Insert here -- Remember tapes? -- Now boarding group A... -- I wanna go home -- 10. Equalization -- Rule #1 : listen first -- EQ bands and types -- How do I use 'em? -- Rule #2 :'tis better to cut than to boost -- 11. Other channel stuff -- Phantom power -- Mute and solo -- 12. The master section -- Aux returns -- Pretty lights -- Other miscellaneous stuff -- Splitting it up -- 13. Gain structure -- What is it? -- ABC's of the signal chain -- Audio by numbers -- The microphone and other delicacies -- 14. Aux sends and returns -- Hello? (hello...hello...) Is there anybody in there? (in there...in there...) -- Getting swishy -- Clap on, clap off -- Dynamics--compressors and gates -- When to use it -- Someone's at the gate -- 15. Monitoring -- The gear -- Do you hear what I hear? -- 16. The drive rack -- Order, order, order! -- System EQ -- Getting in tune -- HELLO, HELLo, HELlo, HEllo, Hello, hello... -- Take it to the limit -- 17. Active speakers -- It's the law -- Back on track -- Pros and cons -- 18. You gotta have power... -- Ins and outs -- What's cooking inside? -- Class A -- Class B -- Class AB -- Class D -- What a load -- You can't do that with an amplifier -- 19. Loudspeakers -- The drivers -- Impedance -- Power handling and efficiency -- Box design -- Sealed box -- Bass reflex -- Horn-loaded -- Deployment --
505	0		_apt. II. The gig -- 20. Getting your hands dirty -- Kicked by the wind, robbed by the sleet -- Had my head stove in... -- But I'm still on my feet... -- 21. Advance and prep -- Advancing the gig -- The plot thickens -- 22. On the gig -- Welcome to the working week -- Showtime--no sleeping in for you -- How we roll -- Getting pinned -- 23. Hello (Hello...Hello...Hello)--and welcome to the world of delay -- 24. Backline basics -- Behind the PA -- Getting the gear right -- 25. Hands on the knobs -- Fix it at the source -- Find your foundation and flow -- Triage -- Less is more--softer is louder -- 26. Touring is not for the weak -- My day--by Mike Allison -- 27. Just because you can doesn't mean you should -- Dave Shirley -- Jordan Wolf -- Ian Silvia -- Mike Reeves -- D.V. Hakes II -- Jeanne Knotts -- Steve McCarthy -- Final words -- Index.
650		0	_aSound _xEquipment and supplies.
906			_a7 _bcbc _ccopycat _d3 _encip _f20 _gy-gencatlg
942			_2lcc _cBK _kFOR
999			_c288356 _d288356